Blood Drive Episode 10 “Scar Tissue” We open with a wounded Arthur Bailey wandering the white desert, after undergoing a vision quest and surgery at the Tasty Dragon. He eventually stumbles across a lemonade stand run by two little girls, who lead him to a walled town full of wholesome … Read More
Race Day 10 brings us that most cherished and enduring movie genre: the Western! After Slink killed the Heart Enterprises Ogre in “The Gentleman’s Agreement” and took control of the race again, he had Grace and Arthur secretly rerouted to pass through the desert town of Red River. It’s one … Read More
Last time, Arthur and Grace barely escaped a nightmarish orgy where lust was fatal. Welcome to Race Day 6, which begins in dear old Meadeville. The racers are stuffing victims into their engines to prepare for the day of a hard road ahead. As Grace dumps a bucket of … Read More
When last we were in the company of Grace and Arthur, they were staring down at a black and white photograph of the staff members of mental asylum Kane Hill in 1957. Among the doctors and nurses was Julian Slink, looking exactly the same as he does in present day. … Read More
It’s Day 3 of the race and we find ourselves in Utah, 30 miles from the nightmare of cannibalism and murder at the Pixie Swallow Diner. We open with Cliff and Domi listening to soft rock and speeding towards the next finish line. She complains that he’s driving their … Read More
Race Day Two-Arizona At the Pixie Swallow Motel & Diner, the blonde waitress is sassy and beautiful, the customers are hungry and the short order cook is chopping up people meat in the kitchen. On the road, Arthur and Grace bicker about the race, his morals and … Read More
In an alternate universe 1999, a police officer stumbles across a subculture of psychopaths involved in an ultraviolent cross country race in cars that run on human blood. Naturally, he joins up. I’m going to break down and discuss this first episode in great detail, so just be warned that … Read More
According to “Wikipedia,” a B-Movie is “a low-budget commercial motion picture that is not an Art House film. In its original usage, during the Golden Age of Hollywood” (roughly 1929 to 1948), “the term more precisely identified a film intended for distribution as a less-publicized, bottom half of … Read More
